Salsa
Pa'ti Pa'mi
For you, for me. A push-pull call — send her out, then bring her back.
What This Move Is
Pa'ti Pa'mi = "for you, for me." A push-pull call: the lead sends the follow out away from him (pa'ti) and then draws her back in (pa'mi), a back-and-forth exchange of the slot. The joined hand carries the conversation out and in, trading the space between the partners before resolving. It is a playful give-and-take rather than a turning figure.
Key Points
- Lead: Make the out-and-back clear and elastic — commit the send on pa'ti, then lead a definite recovery on pa'mi; the contrast between the two directions is the move.
- Follow: Travel out on the send and return on the draw-back, staying on your own feet — match the lead's energy out and in rather than parking in the middle.
- Timing: Send out (pa'ti) on 1-2-3, bring back (pa'mi) on 5-6-7; one 8-count for the exchange.
- Common mistake: Making the two directions feel identical so the push-pull disappears, or the follow back-rocking instead of actually travelling out and back.
Style Notes
A playful, conversational beginner figure that plays the slot like a rubber band. Sits in the guapea/enchufla family and chains easily back to the basic or into an enchufla.
A video walkthrough for this move is on the way.
- Musical use
- Filler
- Level
- Beginner
- Type
- Position Changes
- Frame
- Open
- Style
- Cuban
Chains into
After this, you can flow into…
Learn these first
One way to flow
Go deeper with your coach
Own Pa'ti Pa'mi, then make it yours
This page is free, always. Your online coach goes further on every move you own — styling that makes it look like you, variations to keep it fresh, and how to hit it on the music.
- Styling
- Variations
- Musicality