Reference
Dance Vocabulary
Every term that shows up on the move cards — the holds, the timing, the styles and the move families — explained in plain language, each with a simple diagram. New to a word on a card? Tap it and it brings you here.
Embrace & frame
How close you stand and where the connection lives. This is the first thing a move tells you to set up.
Closed embrace
Bodies close, full frame contact.
You and your partner stand close, chest-to-chest or near it. The leader’s right hand sits on the follower’s back and the follower’s left arm rests on the leader’s shoulder or arm. It’s the warmest, most connected hold — the home base for bachata and Cuban salsa.
18 salsa · 48 bachata moves
Open position
A step apart, joined by the hands.
You stand a step apart and stay connected only through the hands. There’s room between you, so it’s the position where turns, hand changes and footwork patterns happen. Most figures travel through open position at some point.
89 salsa · 58 bachata moves
Semi-closed
Halfway between closed and open.
A relaxed in-between: closer than open position but not fully chest-to-chest, often slightly offset so one side opens up. Used as a stepping stone into or out of a closed embrace.
1 salsa · 2 bachata moves
Shadow position
One partner behind the other, both facing the same way.
Both partners face the same direction, one standing just behind the other like a shadow. It frees the front partner’s body to move and is a favourite for sensual bachata and styling moments.
5 bachata move
Side-by-side
Standing alongside each other, facing forward.
You stand next to each other facing the same way, usually still joined by one hand. Common in playful or showy moments where both dancers do the same thing for the room to see.
2 salsa · 2 bachata moves
Hand connection
Which hand holds which. Most figures start and end in one of these holds, and changing the hold is half of what a move actually does.
Left-to-right hold
Leader’s left hand holds follower’s right.
The standard open-position handhold: the leader’s left hand holds the follower’s right hand. It’s the default connection most patterns start from, the one you’ll meet first.
70 salsa · 39 bachata moves
Right-to-right hold
Both right hands joined.
The leader’s right hand holds the follower’s right hand. It twists the connection and sets up wraps, hammerlocks and right-hand turns that the basic hold can’t reach.
11 salsa · 16 bachata moves
Right-to-left hold
Leader’s right holds follower’s left.
The mirror of the standard hold — leader’s right hand to follower’s left. It usually shows up mid-pattern as the hands trade, opening the other side of the body.
2 salsa move
Two-hand hold
Both hands joined.
Both pairs of hands are connected at once. It gives the leader the most control and is the launch pad for moves like Setenta and other two-handed pretzel patterns.
22 salsa · 13 bachata moves
Cross-hand hold
Both hands joined, but crossed over.
Both hands are held, but crossed so the arms form an X. Untwisting that cross is what powers a whole set of turns and flips — the tangle is the point.
6 salsa · 2 bachata moves
Hammerlock
An arm wrapped gently behind the back.
One of the follower’s arms is led into a soft wrap behind their own back, held in place by the hand connection. Always gentle and comfortable — never forced. A signature shape of wraps-and-locks moves.
4 salsa move
No hands
Connection released — no handhold.
The hands let go entirely. This is where shines and solo footwork live: you stay connected through timing and eye contact instead of touch, then catch the hands again to continue.
13 salsa · 9 bachata moves
Musical use
When in the music a move belongs — what job it does in the song, not just how it looks.
Accent
Hits a strong beat or a punch in the music.
Lands on a strong moment in the song — a horn stab, a drum hit, a punch in the rhythm. You use it to show the music, marking something the listener can hear.
49 salsa · 36 bachata moves
Filler
Keeps things flowing between bigger moves.
A bread-and-butter move that keeps you dancing smoothly between the highlights. Nothing flashy — it buys you time and keeps the connection alive while you decide what’s next.
48 salsa · 30 bachata moves
Travelling
Covers ground across the floor.
Moves the two of you across the floor rather than staying on one spot. Good for using space, repositioning, or just changing the picture.
25 salsa · 13 bachata moves
Break
Marks a pause or stop in the song.
Made for the moments when the music drops out or pauses. You stop, suspend, or hit a shape together — then explode back in when the song returns.
20 salsa · 21 bachata moves
Reset
Returns you to a clean starting position.
Brings you back to a tidy, neutral position so you can start a fresh idea. The “take a breath and regroup” move.
9 salsa move
Style
The flavour or school a move comes from. Same dance, different feel and body movement.
Any
Works in either salsa style.
This move is at home in both Cuban and line (LA/NY) salsa — a shared piece of vocabulary you can use whichever style you dance.
59 salsa move
Cuban
Circular, casino-style salsa.
Cuban-style salsa (casino): partners move around each other in circles rather than along a line, with a playful, grounded feel. The root of Rueda.
40 salsa move
NY / line
Linear, “on2” salsa.
New York (and LA) line salsa: partners trade places along a single line, often danced “on2”. Smoother and more linear than the Cuban circle.
1 salsa move
Dominican
The original, footwork-driven bachata.
The traditional bachata from the Dominican Republic: lively, footwork-heavy and full of little syncopations and free-foot taps. The roots of the dance.
21 bachata move
Modern
Today’s social bachata.
Modern bachata: the most common social style, blending the basic step with turn patterns and a clean, accessible partner connection.
43 bachata move
Sensual
Body movement, waves and wraps.
Sensual bachata: slower and led from the body, full of waves, isolations and wrap shapes. Emphasises flow and connection over fast footwork.
36 bachata move
Move families
The group a move is filed under in the engine — moves that share a shape, a goal, or a part of the body.
Foundations
The basic steps everything is built on.
The core steps — basic, back-break, side-step — that every other salsa figure assumes you already have. Start here.
7 salsa move
Cross-Body
The cross-body lead and its family.
The cross-body lead and the patterns that grow from it — the move that swaps the partners’ places and unlocks most of line salsa.
6 salsa move
Turns
Right turns, left turns and spins.
Turn patterns for the follower and the leader — inside turns, outside turns, and the spins that link them.
11 salsa move
Position-Changes
Swapping places and handholds.
Moves whose whole job is to change where you stand or which hands you hold — the connective tissue that links one figure to the next.
13 salsa move
Cuban-Core
The heart of Cuban / casino salsa.
The essential circular Cuban-style figures — Dile Que No, Enchufla and friends — that make up the bulk of casino dancing.
33 salsa move
Rueda
Group salsa danced in a wheel.
Rueda de Casino: couples form a circle and a caller shouts moves everyone does at once, swapping partners around the wheel. Social, fast and a lot of fun.
5 salsa move
Shines
Solo footwork, hands released.
Solo footwork done without holding your partner — your moment to play with the music on your own before catching the hands again.
11 salsa move
Styling
Arms, body and flourish.
The polish: arm styling, body movement and accents that make the same step look and feel like yours.
7 salsa move
Musicality
Dancing to what the song is doing.
Moves and ideas about hitting accents, breaks and changes in the music — dancing the song, not just the count.
5 salsa move
Connectors
Glue moves that link patterns.
Small linking moves whose purpose is to flow smoothly out of one figure and into another. The improviser’s joints.
2 salsa move
Foundation / home
The basic step and home base.
The bachata basic and the home positions everything returns to — the side-to-side step and tap that anchors the dance.
16 bachata move
Dominican footwork
Traditional taps, syncopations and free-foot play.
The lively footwork of traditional Dominican bachata — taps, double-steps and syncopations that decorate the basic.
9 bachata move
Open hands
Turn patterns in open hold.
Turn patterns and hand-led figures danced a step apart in open position — the bachata equivalent of salsa’s turn vocabulary.
23 bachata move
Travelling
Moves that cover ground.
Figures that move the couple across the floor rather than staying on the spot — using space and changing the picture.
10 bachata move
Wraps & locks
Wrapping the arms into shapes.
Moves that wrap the follower’s arms into and out of comfortable shapes — hammerlocks, cuddles and unrolls. Always gentle and led with care.
15 bachata move
Sensual bodywork
Waves, isolations and body movement.
The signature of sensual bachata: body waves, isolations and led body movement, danced close and slow.
19 bachata move
Dips & drops
Endings that drop or dip the follower.
The dramatic finishers — dips, drops and leans — usually saved for the last beat of a song. Safety and trust first, always.
8 bachata move
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