Salsa
Cross-Hand Hold
Hands crossed, doors opened. The frame that unlocks the sombrero family — establish it cleanly and a whole cluster becomes available.
Coach's notes — the how & why
What This Move Is
The cross-hand hold is exactly what it sounds like: both hands joined with the arms crossed (right-to-right and left-to-left, one over the other). It's a hold rather than a figure, but learning to enter and dance in it is what makes the whole Sombrero/Balsero family reachable, because those moves all begin from crossed hands. Documents the hub the cluster hangs off.
Key Points
- Lead: Lead the cross by passing one hand under or over to meet the other — make the swap smooth and keep the joined hands at a comfortable, untangled height. Settle into the basic so she can read the new frame.
- Follow: Receive the crossed hands without gripping; keep light tone so you can feel which arm will unwind first when the figure comes.
- Timing: Establish over any 8-count; dance the basic inside the hold until the lead opens a figure.
- Common mistake: Crossing the hands too low or too tight so they bind, leaving no room to unwind into a sombrero. Keep them roomy.
Style Notes
This is the beginner entry the cross-hand cluster assumes — Sombrero (SL038), Balsero (SL044), and Montaña (SL045) all start here. Teaching the hold on its own means those figures don't have to re-explain their own setup.
Quick notes, not instruction — always learn moves in person with a qualified teacher.
- Musical use
Filler- Level
- Beginner
- Type
Position Changes- Frame
Open- Style
Any
Chains into
After this, you can flow into…
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One way to flow
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Own Cross-Hand Hold, then make it yours
This page is free, always. Your online coach goes further on every move you own — styling that makes it look like you, variations to keep it fresh, and how to hit it on the music.
- Styling
- Variations
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